From chart-topping hits to capturing the attention of the global music scene, Preston Pablo is an artist whose star is rising fast. Fresh off a Juno Award win and a spot on Forbes 30 Under 30, Preston is more than just a musical sensation—he’s a storyteller who channels his diverse experiences into every beat and lyric. Now, with the release of his debut EP, Anywhere But Here, he invites listeners into a new chapter of his artistic journey. Blending genres like R&B, pop, dancehall, and Afrobeats, Preston’s sound is both eclectic and authentic, a true reflection of his life experiences and creative freedom.
In this exclusive interview, Preston opens up about the influences behind his new project, the emotional journey that shaped its sound, and the power of connecting with fans through music and social media. Join us as we dive deeper into the mind of one of today’s most exciting young artists.
Congratulations on the new EP! Your debut EP, Anywhere But Here, feels like a journey through emotions and various musical landscapes. Can you share how your travels and experiences with different cultures have influenced the sound and feel of this project?
I’ve always created music based on real experiences and emotions, and these past few years have been full of those. Before everything got hectic, I would take months off from writing just to live, absorb things, and then unpack it all in the studio later. That’s essentially what I did with this EP, except this time, I’ve lived a lot more life. There was a period when I wasn’t fully satisfied with the music I was creating, so I knew I needed to take a step back and refocus. That’s when I started falling in love with my own music again. I’ve been fortunate to travel to some incredible places and meet fascinating people, which has definitely had a huge impact on my music. It’s fascinating to collaborate with different artists, writers, and producers—I treat all my travels and interactions as learning opportunities. It’s a special and super fun process. Putting out a project has been a long-time goal, and I feel like all of my experiences over the past years were necessary to create this EP.
Were there any specific places or cultural moments that directly inspired any of the tracks?
The reaction to my single “Dance Alone” was definitely an eye-opener. Seeing it blow up across Africa was pretty wild—I never expected something like that. The support I received was different from anything I had seen before; people genuinely cared about me, not just the music. It was incredibly heartwarming, and without realizing it, this experience influenced the overall sound of the EP.
Is there a part of the world you haven’t visited yet but feel would uniquely inspire your music?
The Philippines, for sure. Being half Filipino, it feels like it’s only right. I’ve always dreamed of spending time there and connecting with my roots.
Can you describe the journey of emotions you experienced while creating this EP?
It’s a pretty mixed bag—there are moments of self-reflection, sadness, and even some anger. I was reminiscing a lot during that time. My biggest goal was to just have fun and enjoy creating music again. I definitely had a lot to say and things to get off my chest, but most importantly, I wanted to make songs that I genuinely enjoyed. That’s why it’s not all super intense. You have tracks like “Red Eyes” and “Move Like That” which are just good songs, without some deep, hidden meaning.
You worked with producers like Banx & Ranx and Euro on this project. How did they help shape the sound of the EP?
Banx & Ranx’s sound is deeply rooted in Dancehall and Reggae. Their knowledge and experience in that world of music are top-tier—they just knew what needed to be done and executed it perfectly. They also understand me on a personal level, which helps me create my best music. Euro, who is big in the Afrobeats space, is an amazing musician who gave me the freedom to bring my unfinished ideas to life. He’s always focused on making great music, and since he’s a close friend, the process felt so natural. Both their backgrounds and styles meshed perfectly, making this tape sound as good as it does.
“One Last Song” explores the bittersweet end of a relationship. Was it inspired by personal experience or a broader reflection on relationships?
It was definitely inspired by a personal experience.
How would you say Anywhere But Here represents a “reintroduction” to your music style?
This is my first project, so it’s the first time fans can dive deeper into my art. It’s more than just one single at a time. This project was intentional—it’s the first time I’ve truly presented myself as a complete artist. It reintroduces me as a more mature and legitimized artist. I’m really proud of the singles that jumpstarted my career, but this project is something that will help solidify my place in the industry.
Your new single, “Move Like That,” has been described as a hypnotic, melody-driven track. What inspired the vibe of that song?
The piano chords were the first thing that came together during the session for “Move Like That.” The bouncy, stabby feel of those chords set the entire vibe. We kept building on that feel, and naturally, the song evolved to where it is now. I think it was Danny Shah who came up with the hook melody soon after we laid down the chords—it instantly felt like a feel-good record.
“Convince Me” blends both R&B and pop. What drew you to mix those genres on this track?
R&B-pop has always been my authentic sound. It was a natural choice. I always gravitate toward chords in that space, so when I heard the ones for “Convince Me,” I started recording over them and quickly came up with the hook.
You mentioned that “Red Eyes” is a mid-tempo, club-ready banger. What kind of story or atmosphere were you aiming to capture with it?
The story of “Red Eyes” is about that moment when you’re feeling the effects of a late night out and can’t find a reason to go home. It’s simple—a song you’d listen to when you’re out and about, enjoying the night.
With a Juno Award win and being named on Forbes 30 Under 30, you’ve had an impressive rise. How have these recognitions influenced your perspective on your career?
These honors definitely inspire me to strive for more. They’re like little boosts of confidence, but that feeling fades quickly. I’m deeply honored to be recognized, but it hasn’t changed how I view myself. There’s always more to achieve, and I rarely feel fully satisfied. Plus, because music is so subjective, it feels strange to have a select group of people decide whether your work is worthy or not. I try not to take it too seriously and just focus on making great music.
How has touring impacted your approach to performing and connecting with fans?
Touring has been incredibly valuable, both as an artist and a person. It’s taught me the importance of connecting with fans and building genuine relationships. A loyal fan base is crucial for a successful artist career. I think more about my fans now when crafting a show—I want to deliver the best experience possible for those who invest their time and money in me. Meeting fans is truly special; it’s a blessing.
Having collaborated with diverse artists from different genres, what have you gained from those experiences?
It’s expanded my palate and skill set. Working with creators from around the world, at different stages in their careers, is like an advanced form of music education. It’s essential for growth.
“Dance Alone” went viral on TikTok with over 718K user-generated videos. What role do you think social media plays in connecting with a global audience?
Social media plays a massive role. It’s become the most valuable tool for artists to reach a global audience. Within minutes, you can upload a video that anyone in the world can see. TikTok and Reels are incredible for that—you can be one swipe away from reaching someone on the other side of the planet.
What’s next for you following the release of Anywhere But Here? Any plans for future collaborations or a tour?
I really want to focus on promoting and discussing this project. It needs time to be absorbed before moving on to the next thing. I’d love to start touring again with a revamped show that reflects where I am now as an artist.
Are there any specific themes or genres you want to explore in your future music?
I just want to continue curating and evolving the “Preston Pablo” sound.
